SamosaChutneyCel
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There are a lot of passages in the turner diaries which allude to white women having group sex with black men thanks to porn and jews controlling the media.
I feel like this is become more and more true this day and age.
- Pre-Revolution "Pacification" Scenes: Early entries describe a dystopian D.C. where the System allegedly promotes Black male-white female sex to "pacify" whites. Turner rants about streets filled with "white girls" (often liberal feminists) willingly or coerced into encounters with Black men, portrayed as state-sanctioned orgies in integrated housing projects. One entry (circa October 1991) depicts Turner witnessing a "racial mixing party" in a government-subsidized tenement: white women, drugged and brainwashed by "Jewish media," engage in group sex with multiple Black men, described in lurid detail—sweaty bodies, "primal grunts," and ejaculations symbolizing "racial suicide." Pierce writes it as voluntary degeneracy: "The white women spread their legs for the niggers, believing it's 'progressive' to be bred like animals." This "erodes white morale," delaying the uprising, akin to Manson's "safety valve" rants.
- Riot and Conquest Depictions: During Black uprisings (e.g., post-gun confiscation), scenes escalate to mass rapes as "war weapons." In a November 1991 entry, Turner hides while "hordes of Blacks" overrun a white suburb, dragging women into homes for orgiastic assaults. Descriptions are explicit: "Black beasts swarmed the blonde housewife, tearing her clothes, their dark cocks thrusting into her pale flesh as she screamed... One after another, they filled her with their seed, laughing as her husband watched, bound and helpless." It's framed as systematic—Black militias (echoing Panthers) using rape to "break white spirit," producing "half-breed spawn." Turner justifies counter-killings: shooting rapists mid-act, then executing white survivors who "enjoyed it."
- The "Day of the Rope" (August 1, 1993) and Race Traitor Purges: The book's climax for this theme is this mass lynching of 10,000+ "traitors" in L.A. streets. Focus is on white women in interracial relationships—hundreds hanged from poles with signs: "I defiled my race" or "I was a race traitor." Turner details interrogations turning into spectacles: captured women (wives, girlfriends, or one-time lovers of Black men) are stripped, paraded, and forced to confess "breeding" sins before execution. One vignette (Chapter 25): A former actress, married to a Black executive, is strung up after admitting to "orgies in Hollywood mansions where niggers rutted with white sluts like me, pumping out mongrels." Her corpse dangles beside a politician's Jewish wife, both as warnings. Pierce lingers on the "catharsis": white crowds cheer, men reclaim "pure" women. It's not orgies per se, but the confessions evoke them—women recounting multi-partner encounters with Black men as "addictions" induced by the System.
- Post-Apocalypse "Breeding Camps": In later entries and the epilogue, conquered territories reveal System "re-education camps" where white women were held for Black "breeding programs." Turner liberates one (implied in a 1993 raid): survivors describe being "passed around like whores" in daily orgies, impregnated to create "slave armies." The Organization executes the women as "irredeemably tainted," but spares virgins for white repopulation. This ties to global genocide: nukes target "miscegenation hotspots" like Africa, where "Black hordes" allegedly planned to export "rapist legions."
These segments are brief (1-2 pages each) but visceral, blending voyeurism with horror to eroticize hate. Pierce uses them to "prove" racial inferiority—Black men as lust-driven "apes," white women as gullible vessels—urging white men to "defend purity" through extermination. No consent exists; it's all coercive, amplifying 19th-century lynching myths.
I feel like this is become more and more true this day and age.
- Pre-Revolution "Pacification" Scenes: Early entries describe a dystopian D.C. where the System allegedly promotes Black male-white female sex to "pacify" whites. Turner rants about streets filled with "white girls" (often liberal feminists) willingly or coerced into encounters with Black men, portrayed as state-sanctioned orgies in integrated housing projects. One entry (circa October 1991) depicts Turner witnessing a "racial mixing party" in a government-subsidized tenement: white women, drugged and brainwashed by "Jewish media," engage in group sex with multiple Black men, described in lurid detail—sweaty bodies, "primal grunts," and ejaculations symbolizing "racial suicide." Pierce writes it as voluntary degeneracy: "The white women spread their legs for the niggers, believing it's 'progressive' to be bred like animals." This "erodes white morale," delaying the uprising, akin to Manson's "safety valve" rants.
- Riot and Conquest Depictions: During Black uprisings (e.g., post-gun confiscation), scenes escalate to mass rapes as "war weapons." In a November 1991 entry, Turner hides while "hordes of Blacks" overrun a white suburb, dragging women into homes for orgiastic assaults. Descriptions are explicit: "Black beasts swarmed the blonde housewife, tearing her clothes, their dark cocks thrusting into her pale flesh as she screamed... One after another, they filled her with their seed, laughing as her husband watched, bound and helpless." It's framed as systematic—Black militias (echoing Panthers) using rape to "break white spirit," producing "half-breed spawn." Turner justifies counter-killings: shooting rapists mid-act, then executing white survivors who "enjoyed it."
- The "Day of the Rope" (August 1, 1993) and Race Traitor Purges: The book's climax for this theme is this mass lynching of 10,000+ "traitors" in L.A. streets. Focus is on white women in interracial relationships—hundreds hanged from poles with signs: "I defiled my race" or "I was a race traitor." Turner details interrogations turning into spectacles: captured women (wives, girlfriends, or one-time lovers of Black men) are stripped, paraded, and forced to confess "breeding" sins before execution. One vignette (Chapter 25): A former actress, married to a Black executive, is strung up after admitting to "orgies in Hollywood mansions where niggers rutted with white sluts like me, pumping out mongrels." Her corpse dangles beside a politician's Jewish wife, both as warnings. Pierce lingers on the "catharsis": white crowds cheer, men reclaim "pure" women. It's not orgies per se, but the confessions evoke them—women recounting multi-partner encounters with Black men as "addictions" induced by the System.
- Post-Apocalypse "Breeding Camps": In later entries and the epilogue, conquered territories reveal System "re-education camps" where white women were held for Black "breeding programs." Turner liberates one (implied in a 1993 raid): survivors describe being "passed around like whores" in daily orgies, impregnated to create "slave armies." The Organization executes the women as "irredeemably tainted," but spares virgins for white repopulation. This ties to global genocide: nukes target "miscegenation hotspots" like Africa, where "Black hordes" allegedly planned to export "rapist legions."
These segments are brief (1-2 pages each) but visceral, blending voyeurism with horror to eroticize hate. Pierce uses them to "prove" racial inferiority—Black men as lust-driven "apes," white women as gullible vessels—urging white men to "defend purity" through extermination. No consent exists; it's all coercive, amplifying 19th-century lynching myths.
