Why do black foids love to twerk so much?

[enriquecuador]

Why do they do it so much?

 

[Snoofy]

Idk ask them

 

[Toth's thot]

for attention

 

[enriquecuador]

Idk ask them

I don’t want to

 

[PsiIocybin]

Why do they do it so much?

Twerking—yes, that booty shaking dance move that has become a staple in black dance culture and beyond—is a form of self-empowerment. This is the message that Wanderlust presenter, Marissa “Moe Joe” Joseph embodies in her classes.

Moe Joe is a Louisiana native that practices and teaches a unique form of dance that she refers to as Afro-Creole, with a folk street twist. For her, twerking, and all aspects of her dance classes, is a liberating, freedom-inducing practice. “Whenever I walk into a class, I’m telling you one thing: The women of the South have something to say from a movement perspective,” she says. “I command respect, and my presence asks you to respect the experiences of my body. Respect the trauma that my body has endured for generations, and respect my recognition of those things, and my freedom in them.”

Reclaiming the Body After Generations of Trauma​

Moe Joe’s classes allow women to strip themselves of constraints imposed on them by society, history, and their families, and revel in who they are in the moment. “Twerking, bouncing, two-stepping and buck jumping—all of those things are a part of how we celebrate the continuation of the Creole culture,” says Moe Joe. “You see something about yourself in my classes. You see a freedom within the instructor that you can connect to.”

She also that believes that her name itself, Moe Joe—as in, “Get your moe-joe on,” a phrase many people are familiar with—taps into a liberating energy that stretches across cultures.

“My classes give something back to you that’s not just about the workout, but it’s also an energy,” she says. ” There is an energetic shift that you will get from Moe Joe—from your spirit, to your hips, and even evidently in your twerk.”

Honoring and Connecting the Creole Diaspora​

Moe Joe is a Louisiana-based performer, teacher, and dance fitness leader who advocates for the Southern and Creole experience of music and dance through her dance fitness exercise, “Bounce Fitness with Moe Joe.” She has been dancing since her youth, and now owns the first boutique dance gallery in Louisiana, The Moe Joe Gallery—a multicultural arts wellness space inspired by Creole and Southern dance connections. She aims to use dancing as a method of culture education, while empowering people to heal through movement, explore self-identity and reclaim self-power.

Fitness with Moe Joe was created five years ago as a way to connect Creole people, she says, and teach the diaspora about one another.

“My work connects people from the diaspora of Louisiana, to our other connecting diaspora in the Caribbean, Africa, Europe, Asia and beyond,” says Moe Joe. “Creole people are a collective of different folk—from native and colonized, mixed, non-binary spaces. I really just wanted to create a workout that connected who we are as people from a nonverbal movement space. During my participation in festivals like Wanderlust, those types of communities are felt within a workout.”

 

[PsiIocybin]

Twerking—yes, that booty shaking dance move that has become a staple in black dance culture and beyond—is a form of self-empowerment. This is the message that Wanderlust presenter, Marissa “Moe Joe” Joseph embodies in her classes.

Moe Joe is a Louisiana native that practices and teaches a unique form of dance that she refers to as Afro-Creole, with a folk street twist. For her, twerking, and all aspects of her dance classes, is a liberating, freedom-inducing practice. “Whenever I walk into a class, I’m telling you one thing: The women of the South have something to say from a movement perspective,” she says. “I command respect, and my presence asks you to respect the experiences of my body. Respect the trauma that my body has endured for generations, and respect my recognition of those things, and my freedom in them.”

Reclaiming the Body After Generations of Trauma​

Moe Joe’s classes allow women to strip themselves of constraints imposed on them by society, history, and their families, and revel in who they are in the moment. “Twerking, bouncing, two-stepping and buck jumping—all of those things are a part of how we celebrate the continuation of the Creole culture,” says Moe Joe. “You see something about yourself in my classes. You see a freedom within the instructor that you can connect to.”

She also that believes that her name itself, Moe Joe—as in, “Get your moe-joe on,” a phrase many people are familiar with—taps into a liberating energy that stretches across cultures.

“My classes give something back to you that’s not just about the workout, but it’s also an energy,” she says. ” There is an energetic shift that you will get from Moe Joe—from your spirit, to your hips, and even evidently in your twerk.”

Honoring and Connecting the Creole Diaspora​

Moe Joe is a Louisiana-based performer, teacher, and dance fitness leader who advocates for the Southern and Creole experience of music and dance through her dance fitness exercise, “Bounce Fitness with Moe Joe.” She has been dancing since her youth, and now owns the first boutique dance gallery in Louisiana, The Moe Joe Gallery—a multicultural arts wellness space inspired by Creole and Southern dance connections. She aims to use dancing as a method of culture education, while empowering people to heal through movement, explore self-identity and reclaim self-power.

Fitness with Moe Joe was created five years ago as a way to connect Creole people, she says, and teach the diaspora about one another.

“My work connects people from the diaspora of Louisiana, to our other connecting diaspora in the Caribbean, Africa, Europe, Asia and beyond,” says Moe Joe. “Creole people are a collective of different folk—from native and colonized, mixed, non-binary spaces. I really just wanted to create a workout that connected who we are as people from a nonverbal movement space. During my participation in festivals like Wanderlust, those types of communities are felt within a workout.”

true bro so fucking true

 

[PrinceLuenLeoncur]

Why do they do it so much?

Low class ghetto ratchet women do

 

[VohnnyBoy]

the more ass shakes, the more fertile woman is

 

[PsiIocybin]

Low class ghetto ratchet women do

dont be racist. its a way for black women to reclaim their bodies after years of slavery and trauma

 

[peptidecel]

Why do they do it so much?

cause their prefrontal cortex is recessed

 

[whiteegyptian]

Niggers

 

[gonion wanter]

Gorilla mating ritual

 

[Sprinkles]

nigger mating dance

 

[epicmogger123]

Twerking—yes, that booty shaking dance move that has become a staple in black dance culture and beyond—is a form of self-empowerment. This is the message that Wanderlust presenter, Marissa “Moe Joe” Joseph embodies in her classes.

Moe Joe is a Louisiana native that practices and teaches a unique form of dance that she refers to as Afro-Creole, with a folk street twist. For her, twerking, and all aspects of her dance classes, is a liberating, freedom-inducing practice. “Whenever I walk into a class, I’m telling you one thing: The women of the South have something to say from a movement perspective,” she says. “I command respect, and my presence asks you to respect the experiences of my body. Respect the trauma that my body has endured for generations, and respect my recognition of those things, and my freedom in them.”

Reclaiming the Body After Generations of Trauma​

Moe Joe’s classes allow women to strip themselves of constraints imposed on them by society, history, and their families, and revel in who they are in the moment. “Twerking, bouncing, two-stepping and buck jumping—all of those things are a part of how we celebrate the continuation of the Creole culture,” says Moe Joe. “You see something about yourself in my classes. You see a freedom within the instructor that you can connect to.”

She also that believes that her name itself, Moe Joe—as in, “Get your moe-joe on,” a phrase many people are familiar with—taps into a liberating energy that stretches across cultures.

“My classes give something back to you that’s not just about the workout, but it’s also an energy,” she says. ” There is an energetic shift that you will get from Moe Joe—from your spirit, to your hips, and even evidently in your twerk.”

Honoring and Connecting the Creole Diaspora​

Moe Joe is a Louisiana-based performer, teacher, and dance fitness leader who advocates for the Southern and Creole experience of music and dance through her dance fitness exercise, “Bounce Fitness with Moe Joe.” She has been dancing since her youth, and now owns the first boutique dance gallery in Louisiana, The Moe Joe Gallery—a multicultural arts wellness space inspired by Creole and Southern dance connections. She aims to use dancing as a method of culture education, while empowering people to heal through movement, explore self-identity and reclaim self-power.

Fitness with Moe Joe was created five years ago as a way to connect Creole people, she says, and teach the diaspora about one another.

“My work connects people from the diaspora of Louisiana, to our other connecting diaspora in the Caribbean, Africa, Europe, Asia and beyond,” says Moe Joe. “Creole people are a collective of different folk—from native and colonized, mixed, non-binary spaces. I really just wanted to create a workout that connected who we are as people from a nonverbal movement space. During my participation in festivals like Wanderlust, those types of communities are felt within a workout.”

Dnr

 

[Ramirezmaxxer]

Cus they have low iq

 

[Cicciosudmaxxer]

Idk they’re monkeys

 

[Toggle9877]

Because they are High E

 

[Spamorzz]

Why do they do it so much?

Because theyre fucking annoying

 

[LTNUser]

the more ass shakes, the more fertile woman is

So they basically want to attract fertile men

 

[buddhistking]

Booty shaking comes from West Africa mainly, there are many traditional dance moves in West/Central Africa, especially Francophone countries like Ivory Coast and Congo, where the women and even the men gyrate their hips and swing their ass from side to side, kinda like the last remnants of the culture before the slave trade, then it just gets mixed with modern FBA culture and becomes twerking

Seriously every type of black worldwide (African Americans, Africans, Caribbeans) has their own variant of twerking

 

[PrinceLuenLeoncur]

dont be racist. its a way for black women to reclaim their bodies after years of slavery and trauma

Stfu you stupid cunt. It’s a low class thing nothing more nothing LESS it’s not a “black” thing

 

[PsiIocybin]

Stfu you stupid cunt. It’s a low class thing nothing more nothing LESS it’s not a “black” thing

 

[eon]

Why do they do it so much?

because blacks are genetic failures