idkmanimao
𝐂𝐀𝐈 𝐂𝐫𝐞𝐰 𝐌𝐞𝐦𝐛𝐞𝐫
- Joined
- Feb 20, 2025
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Monster (Call the Doctor) MMM00NM0THZ
This song feels like it was made for late night spirals tbh, 2 a.m. mewing, or watching your own ascension edit on loop until your screen burns in your after pic. The beat is glitchy and distorted in a way that makes you feel like you're literally inside your own head and you have aura, but in control of the chaos. The name gets swapped around sometimes people call it "Call the Doctor," but it’s actually titled “Monster” by MMM00NM0THZ, and that just adds to the cult-like mystery of it. It’s not clean or polished like a mainstream song it’s grainy, raw, and dark, which is what makes it hit so hard. When that warped drop hits, it’s like a mental breakdown and a god-tier jawline transformation at the same time. There’s something unhinged and addicting about it. It doesn’t feel like a song meant for radios or parties it feels like it’s meant for people who spend hours editing their faces, doing collagen masks at 2 a.m., or zoning out to “before surgery” montages. It’s not “evil” in a try hard way it’s just genuinely messed up and hypnotic. That’s why it’s basically the anthem of villain arc edits. When you hear it, you already know the video is gonna go insane. 8/10 in my opinion
"Freak Show"
“Freak Show” is what happens when you’re done pretending to be nt tbh this song reparents be tbh because i'm obv tuff as shit. The energy behind it is perfect for people who felt like they didn’t fit in and finally decided to lean into that and become something more sharper jaw, blacked-out aesthetic, confidence that feels dangerous. The lyrics call out the fake, the polite, and the mainstream/bp and flips it all upside down. It’s like a call to arms for misfits who are finally owning their transformation and not apologizing for it. When it’s nightcored, the tempo spikes and the vibe becomes even more chaotic perfect for fast-paced before/after edits where someone went from a nobody to a 7/10 villain with sharp cheekbones. It doesn’t care about subtlety or softness; this is loud, punchy, and unapologetically aggressive. The reason it works so well in glow-up content is because it tells a story not just “I got hot,” but “I got hot and now I’m not hiding anymore.” Whether it’s about mental health, revenge, or just self-expression, “Freak Show” captures that ragey freedom perfectly. And in the context of looksmaxing, it's like the background music of someone rising from the ashes with a new face and no mercy. 7/10 in my opinion
"Iris" Pastel Ghost
“Iris” by Pastel Ghost feels like drifting through a memory that never really existed like a soft-focus dream of who you wish you were, or maybe who you used to be before the world got loud. It’s one of those tracks that hits especially hard during quiet nights, headphones in, staring at your own face too long not judging, just observing, almost dissociating. The synths are gentle but spaced out, layered like fog, and the vocals are so breathy and faded they blend into the beat instead of standing on top of it. It’s not trying to grab your attention it just exists, almost like background radiation, and that’s exactly why it pulls you in.
There’s something melancholic in “Iris,” but it’s not full-on sadness more like wistful detachment. It feels like watching a version of yourself you outgrew. Not in a bad way, but in a nostalgic one. That’s what makes it work so well for introspective looksmax or soft glow-up edits. It’s not about the jawline or the symmetry or even the flex. It’s about the internal shift. The mood where you’re not angry anymore, just distant. You’re not chasing validation you’re just documenting your evolution.
It’s also one of those rare songs where nothing really happens no big drops, no sharp turns but somehow it still keeps you there. You float with it. It’s hypnotic in a slow, beautiful way. The song doesn't scream “look at me,” but it says “this is who I’ve become” without ever needing to explain how. Perfect for those cinematic edits with slow motion blinks, heavy shadows, and shots that hold just a second too long. “Iris” isn’t about the glow-up; it’s about the feeling of being changed quiet, soft, and irreversible.
(iris isn't a looksmaxing song tbh but still worth mentioning..)
"Saraunh0ly" MMM00NM0THZ
“Saraunh0ly” feels like a breakdown and a rebirth happening at the exact same time. It’s heavy, distorted, and chaotic in a way that makes you feel like your thoughts are echoing off the inside of your skull. The production is glitchy and overwhelming — but intentionally so. It doesn’t try to sound clean or smooth. Instead, it leans into that raw, corrupted energy, like a digital exorcism of every repressed emotion. The beat hits like static — not clean drums or bass, but like noise that somehow makes sense when you’re in a certain headspace. When you’re not trying to be relatable, not trying to heal, just existing in the mess and letting it consume you.
There's a reason it gets used in deep-cut villain arc edits and dark looksmaxing montages. It’s not about being aesthetic or pretty — it’s about showing what’s underneath when everything polished gets stripped away. This isn’t a “before/after” song in the traditional sense. It’s what plays between the before and the after — in that phase where you’re not who you used to be, but not fully transformed yet either. It’s anxious, brutal, unfiltered. You wouldn’t play this in public. It’s the kind of song you put on when you’re spiraling in your room at 1 a.m. and it somehow understands you better than your own thoughts do. That’s what makes “Saraunh0ly” special — it doesn’t comfort you. It meets you in the chaos.
“Saraunh0ly” feels like a breakdown and a rope happening at the exact same time. It’s heavy, distorted, and chaotic in a way that makes you feel like your thoughts are echoing off the inside of your skull. The production is glitchy and overwhelming but intentionally so. It doesn’t try to sound clean or smooth. Instead, it leans into that raw, corrupted energy, like a digital exorcism of every repressed emotion. The beat hits like static not clean drums or bass, but like noise that somehow makes sense when you’re in a certain headspace. When you’re not trying to be relatable, not trying to heal, just existing in the mess and letting it consume you.
There's a reason it gets used in deep-cut villain arc edits and dark looksmaxing montages. It’s not about being aesthetic or pretty it’s about showing what’s underneath when everything polished gets stripped away. This isn’t a “before/after” song in the traditional sense. It’s what plays between the before and the after — in that phase where you’re not who you used to be, but not fully transformed yet either. It’s anxious, brutal, unfiltered. You wouldn’t play this in public. It’s the kind of song you put on when you’re spiraling in your room at 1 a.m. and it somehow understands you better than your own thoughts do. That’s what makes “Saraunh0ly” special — it doesn’t comfort you. It meets you in the chaos.
8/10 in my opinion....
"Fright Night" MMM00NM0THZ
“Fright Night” by MMM00NM0THZ is pure psychological horror trapped in sound. It doesn’t feel like a song in the usual sense it feels like a panic attack wrapped in distortion, a descent into the part of your mind that you usually try to ignore. The second it starts, you know you’re not listening to something made for casual vibes. It’s uncomfortable in the exact way you want it to be. The high-pitched, glitched-out vocal samples paired with that suffocating bass create this feeling like your reality is bending just a little too far like you’re on the edge of losing it, but you’re still holding it together just enough to watch yourself fall apart.
There’s a violent kind of stillness in this track. You’re not running, you’re just standing there staring in the mirror, hearing your own heartbeat through the noise, wondering what you’ve become. That’s why “Fright Night” works so well in those raw, no-escape looksmax edits the ones that don’t glamorize the glow-up but show the cost of it. The pain, the obsession, the hours lost staring at your own face trying to measure progress that no one else can see. This isn’t for clean “daylight aesthetic” montages this is for dark rooms, close-ups of eyes that don’t blink, jawlines hidden in shadows, people trying to crawl out of the version of themselves they were forced into.
It’s not catchy. It’s not even structured like a regular track. And that’s what makes it hit harder than anything polished or mainstream. “Fright Night” doesn’t want you to vibe it wants you to feel trapped with it. It’s not music for glow-ups. It’s music for transformations that hurt.
DONT FORGET PRETTY LITTLE Psyco
AND ELECTRO WORLD
9/10's!!!!!!
THIS TOOK ME 1.5 HOURS TO WRITE
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