Why do white people worship nigger music?

[WOMENAREQUEENSNOT]

Surest way to donate white girls to BBCs is to promote their culture, like wtf

yall got no identity fr fr

 

[Coompill]

niggermaxxing is cope. need to promote rock n metal

 

[Deleted member 4362]

Because that’s not actually black culture & all that stuff was started by low class southern whites

 

[WOMENAREQUEENSNOT]

Because that’s not actually black culture & all that stuff was started by low class southern whites

nigga what

 

[Deleted member 17791]

Because that’s not actually black culture & all that stuff was started by low class southern whites

your avi is very distracting and funny

 

[Deleted member 4362]

nigga what

‘Black culture’ in the USA is just an imitation of what rednecks were doing

 

[Orc]

real ones listen to goreshit.

 

[Deleted member 4362]

The word ‘nigga’ came from southern whites mispronouncing nigger due to their jargon then blacks just adopted it from there.

Notice how Texans & other southern states often pronounce words ending with ‘er’ as ‘ahh’. @8PSLcel

 

[Deleted member 17791]

The word ‘nigga’ came from southern whites mispronouncing nigger due to their jargon then blacks just adopted it from there.

Notice how Texans & other southern states often pronounce words ending with ‘er’ as ‘ahh’. @8PSLcel

okay.

 

[Deleted member 21628]

id gladly curbstomp his face

 

[Deleted member 21336]

real ones listen to goreshit.

>anime pfp

Caucasoid men who unironically use anime bitches as their pfps must be executed
So fucking cringy

 

[Deleted member 8608]

Because that’s not actually black culture & all that stuff was started by low class southern whites

The music producers who impulsed that genre and style where mostly whites

 

[datboijj]

niggermaxxing is cope. need to promote rock n metal

very ironic
you really think whites invented that
stop embarrassing yourself
this is also very well documented kurt cobain even wrote a book about all the sounds he took from black artists
you white boys really think you made this huh?

 

[Coompill]

woah Nirvana soo metal

 

[Coompill]

woah Nirvana soo metal

very ironic
you really think whites invented that
stop embarrassing yourself
this is also very well documented kurt cobain even wrote a book about all the sounds he took from black artists
you white boys really think you made this huh?

 

[MRD]

Because that’s not actually black culture & all that stuff was started by low class southern whites

Thomas Sowell ova 'ear. Fugget about it.

 

[MRD]

very ironic
you really think whites invented that
stop embarrassing yourself
this is also very well documented kurt cobain even wrote a book about all the sounds he took from black artists
you white boys really think you made this huh?

You really are a moron, aren't you? Nice try though, Kang... DAS RITE

Jazz was the result of the confluence of European and African musical traditions in the southern states of the USA and was therefore never remotely exclusively 'black' music. The whole concept of organised harmony such as in the 'Blues' (based on the diatonic chords 1, IV and V) is European as is the basic concept of the strict 4-beat bar (traditional rhythm-orientated African music often has more complex rhythmic or polyrhythmic structures but usually very weak melodic content based on short repeated or antiphonal phrases - 'Call and Response' - which are never extended or developed as they might be in classical or traditional European music). Furthermore, elements of jazz such as improvisation, ad hoc melodic elaboration and the sort of rhythmic freedom that has been termed 'swing' in jazz was also a regular element of European Baroque performance long before jazz was invented (for example, the aria 'Rejoice Greatly' from Handel's 'Messiah' has both 'straight' and 'swung' versions written out). Then there is the question of instruments; jazz and other kinds of commercially-available 'black' music have always used European instruments (keyboard, electronic or otherwise, string, woodwind, western percussion, brass, etc. etc.), likewise all ancillary equipment (mics, speakers, recording machines, etc. etc.), none of which ever appeared in Africa before the arrival of Europeans; so, if we're going to talk in crude racist terms about 'black music', we have to say that it's usually all been created using 'white' sounds and presented through 'white' technology. The only possible exception to this might be with Latin American percussion, but what 'colour' is that supposed to be? Regarding the 'black' contribution to popular and 'pop' music, a comparison of popular and light music styles, vocal and otherwise, from pre- and immediate post-WW2 days to the present day reveals (a) a general degeneration in the quality of lyrics from those possessing some kind of poetic or intellectual merit and coherence to the often bald repetition of everyday slang phrases communicating little or nothing of any substance (e.g., 'That's the way I like it, aha, aha'....ad nauseam) and (b) the reduction of 'melody' to near-monotones or a very limited range of notes with little or no extension or manipulation of shape and requiring very little thought or vocal technique - assuming there is a 'melody' at all as with Rap, where one can only assume that the 'artist' or 'composer' was either incapable of inventing a melody or performing one - or both; and even the concept of the spoken word against a musical background was invented by the Welsh centuries before, as might be witnessed at an Eisteddfod. And, of course, European producers, promoters, broadcasters and session musicians have been necessary to popularise all this with European audiences in the first place. And that's all just 'popular', 'pop' or low-content, high-volume commercial music, without touching on anything that might be considered more 'serious', 'high brow' or 'cultural' where it's usually a bit difficult to find much of a contribution from this demographic element. So what exactly is the contribution of our fairly-newly-acquired fellow citizens to music in the UK? Just anything where they're most likely to be seen exhibiting themselves in front of a mass public?

 

[2d v2]

Surest way to donate white girls to BBCs is to promote their culture, like wtf

yall got no identity fr fr

i listen to white music
[media]

no one likes to hear it at first but i only choose the best and most melodic ones, and people get turned on from it after a minute or so.

 

[Deleted member 21182]

Surest way to donate white girls to BBCs is to promote their culture, like wtf

yall got no identity fr fr

Why do niggers worship white women, u guys got no hot girls? Fr fr

 

[2d v2]

You really are a moron, aren't you? Nice try though, Kang... DAS RITE

Jazz was the result of the confluence of European and African musical traditions in the southern states of the USA and was therefore never remotely exclusively 'black' music. The whole concept of organised harmony such as in the 'Blues' (based on the diatonic chords 1, IV and V) is European as is the basic concept of the strict 4-beat bar (traditional rhythm-orientated African music often has more complex rhythmic or polyrhythmic structures but usually very weak melodic content based on short repeated or antiphonal phrases - 'Call and Response' - which are never extended or developed as they might be in classical or traditional European music). Furthermore, elements of jazz such as improvisation, ad hoc melodic elaboration and the sort of rhythmic freedom that has been termed 'swing' in jazz was also a regular element of European Baroque performance long before jazz was invented (for example, the aria 'Rejoice Greatly' from Handel's 'Messiah' has both 'straight' and 'swung' versions written out). Then there is the question of instruments; jazz and other kinds of commercially-available 'black' music have always used European instruments (keyboard, electronic or otherwise, string, woodwind, western percussion, brass, etc. etc.), likewise all ancillary equipment (mics, speakers, recording machines, etc. etc.), none of which ever appeared in Africa before the arrival of Europeans; so, if we're going to talk in crude racist terms about 'black music', we have to say that it's usually all been created using 'white' sounds and presented through 'white' technology. The only possible exception to this might be with Latin American percussion, but what 'colour' is that supposed to be? Regarding the 'black' contribution to popular and 'pop' music, a comparison of popular and light music styles, vocal and otherwise, from pre- and immediate post-WW2 days to the present day reveals (a) a general degeneration in the quality of lyrics from those possessing some kind of poetic or intellectual merit and coherence to the often bald repetition of everyday slang phrases communicating little or nothing of any substance (e.g., 'That's the way I like it, aha, aha'....ad nauseam) and (b) the reduction of 'melody' to near-monotones or a very limited range of notes with little or no extension or manipulation of shape and requiring very little thought or vocal technique - assuming there is a 'melody' at all as with Rap, where one can only assume that the 'artist' or 'composer' was either incapable of inventing a melody or performing one - or both; and even the concept of the spoken word against a musical background was invented by the Welsh centuries before, as might be witnessed at an Eisteddfod. And, of course, European producers, promoters, broadcasters and session musicians have been necessary to popularise all this with European audiences in the first place. And that's all just 'popular', 'pop' or low-content, high-volume commercial music, without touching on anything that might be considered more 'serious', 'high brow' or 'cultural' where it's usually a bit difficult to find much of a contribution from this demographic element. So what exactly is the contribution of our fairly-newly-acquired fellow citizens to music in the UK? Just anything where they're most likely to be seen exhibiting themselves in front of a mass public?

black man's blues was a variation of irish/scottish.dutch and other euro folk music they heard from around the 1800s

but i sing in black blues all the time. I love the black man's blues and they really created the best sounds that we heard in rock ad roll before it dropped off the chart entirely.

 

[Deleted member 20835]

isnt the entire nigger culture stolen from low class anglos,thats why you see so many wiggers

 

[MRD]

black man's blues was a variation of irish/scottish.dutch and other euro folk music they heard from around the 1800s

but i sing in black blues all the time. I love the black man's blues and they really created the best sounds that we heard in rock ad roll before it dropped off the chart entirely.

Here's one for you. I think DMX pointed this out and his career tanked, thereafter:

Hip Hop - original hip hop was about fighting through poverty and helping your community. What happened then was that the Jewish studio moguls started vacuming up the industry and buying up artists to go the "Gangsta Rap" route - which promotes the opposite of a strong black community.

Jews have long been involved in exploitation of black communities and the government/mafia in the 50's, 60's an 70's happily allowed Class A narcotics to flow freely in those communities. The Godfather, 1972 script wasn't talking out its ass when the guy in the meeting says to sell their drugs in black communities as they considered them 'worse than animals' or something to that effect. These things happened.

The biggest trick the Jews ever pulled was bringing down the blacks and blaming 'whitey' for it, all. Same as Imanuel Celler in the 1965 Hart Celler act and LBJ signing it off saying "I'll have these n-----s voting Democrat for the next 100 years" or something very similar. Be very wary of these kinds of artists and industry that promotes things like materialism, drugs, gangbanging, stabbing, shooting and easy shortcuts to life. I'd say the Instagram/Instafamous influencer community is not far off this kind of mental illness, either.

 

[2d v2]

Here's one for you. I think DMX pointed this out and his career tanked, thereafter:

Hip Hop - original hip hop was about fighting through poverty and helping your community. What happened then was that the Jewish studio moguls started vacuming up the industry and buying up artists to go the "Gangsta Rap" route - which promotes the opposite of a strong black community.

Jews have long been involved in exploitation of black communities and the government/mafia in the 50's, 60's an 70's happily allowed Class A narcotics to flow freely in those communities. The Godfather, 1972 script wasn't talking out its ass when the guy in the meeting says to sell their drugs in black communities as they considered them 'worse than animals' or something to that effect. These things happened.

The biggest trick the Jews ever pulled was bringing down the blacks and blaming 'whitey' for it, all. Same as Imanuel Celler in the 1965 Hart Celler act and LBJ signing it off saying "I'll have these n-----s voting Democrat for the next 100 years" or something very similar. Be very wary of these kinds of artists and industry that promotes things like materialism, drugs, gangbanging, stabbing, shooting and easy shortcuts to life. I'd say the Instagram/Instafamous influencer community is not far off this kind of mental illness, either.

Yea there was hip hop about that kind of thing but from the beginning there was still black hip hop about living a life engaged in crime
so yeah theres ur first example, trying to escape the ghetto [media] although he doesnt speak negatively directly about it, but does say "theres a better way out"

but u have some other artists who directly from the beginning made more songs about G life and that shit they still sing about now, peddling drugs an all.

[media]

either way both those artists are fucking great and no white man has replicated this kind of sound, i dont think its possible.